Self-curated exhibition | 2026

Identity & Spirituality

Eight physical artworks and two AR experiences, developed and documented by the artist.

Identity and Spirituality artwork, featuring a ceremonial face with gold symbolic details

Exhibition Concept

Identity & Spirituality

Identity is never formed in isolation.

It is influenced by ancestry, cultural traditions, spiritual beliefs, personal memories and collective experiences passed down across generations. This exhibition investigates these relationships through a body of work that combines illustration, symbolism and immersive digital technologies.

Rather than using technology as a spectacle, Identity & Spirituality uses Augmented Reality to extend storytelling beyond the printed image. Movement, sound and digital narratives deepen the emotional impact of selected works while keeping the artwork at the centre of the experience.

The exhibition asks:

  • Who are we?
  • Where do we come from?
  • What stories shape our identities?
  • How can technology preserve and communicate cultural memory?

Physical Presentation

12 x 12 inches, matte frame.

Digital Painting File

6000 x 6000 pixels, 300 dpi, 24-bit sRGB.

Physical Presentation

The works beyond the screen.

Reference photographs document the 12 x 12 inch works in matte frames, showing their scale, finish and material presence alongside the digital exhibition imagery.

Framed Identity and Spirituality artwork depicting a gathered group of symbolic figures
Study of ancestry and collective memory
Framed Identity and Spirituality portrait of a woman surrounded by symbolic patterns
Portrait and spiritual presence
Framed abstract geometric artwork in warm orange, red, cream and blue
Symbol, duality and transformation

Artwork Shop

Collect or licensethe artworks.

The artwork collection, prices, secure purchase options and both downloadable AR experiences now live together on one clear shop page.

Catalogue

Identity and Spirituality Catalogue

Artwork entries, AR documentation and process notes.

AR Experience

Unity, Vuforia and Augmented Reality

Unity

Built, tested and refined the moving AR scenes by combining layered animation, image tracking, sound and responsive visual effects.

Vuforia

Recognises the artwork and triggers the AR layer.

Creative Process

Research, testing, scanning and installation.

Preview of The Ancestral Being augmented reality demo

AR Demo

The Ancestral Being

Preview of The Gods Eyes augmented reality demo

AR Demo

The Gods Eyes

Android AR Access

Scan to Download

QR code linking to the downloadable Identity and Spirituality AR apps

Scan with your Android device to open the AR app download folder.

APK Demo Link

Download the AR Apps

Access the Android APK files for The Ancestral Being and The Gods Eyes.

Open Download Folder

Installation support is available during the exhibition. Please arrive with your device charged. Headphones are recommended for the complete audio experience.

Unity Development

AR Testing in Practice

Live development views showing the Unity scenes, image tracking and layered AR artwork moving from the editor into a physical space.

Vuforia Tracking

From Physical Portrait to Image Target

The framed portrait was registered in Vuforia as the image target for the AR experience. The feature-point preview confirmed five-star augmentability, giving the mobile build a stable surface for recognising the work and launching its animated layers.

Studio Journal

How research becomes an encounter.

Questions move through objects, drawing and pattern before they become image, sound, augmented reality and installation.

01 · Question

A question, not a fixed image.

Each work starts with a cultural or historical question. The final form remains open while evidence is gathered.

02 · Memory Archive

Objects carry memory.

Cowries, shells and prayer beads are not neutral objects in my practice. They carry touch, ritual, exchange and inherited meaning. I study their curves, openings, weight and repetition, then translate those qualities into symbols, patterns and figures. In this way, a personal object becomes a small archive: a way of preserving memory while allowing it to move into a new image, including the orange-gold marks in The Void of Souls.

Cowrie shells, a shell necklace and black prayer beads arranged as material references for the Identity and Spirituality artworks
P07Material archive: shells, cowries and prayer beads

03 · Drawing

Memory is translated through the hand.

Figurative studies establish the Igbo Landing grouping, boat and reversed symbol before digital translation.

Thomas Ogun developing the Igbo Landing composition in pencil at an easel
P01Igbo Landing development in progress
Thomas Ogun working with pencil on an upright drawing surface in the studio
P03Drawing in the studio
Blue ink character drawing with facial markings and an upper ceremonial form
P13Guardian of Dreams, early study

04 · Pattern Library

A visual language emerges through repetition.

Spirals, grids and curved units are compared until a visual system holds.

Thomas Ogun comparing multiple hand-drawn pattern sheets on a table
P05Compare
Overhead view of Thomas Ogun constructing a divided pencil pattern field
P06Construct
Pencil study of curved tapering bands rotating around a central point
P08Rotational flow
Pencil grid of interlocking blocks with alternating line directions
P09Interlocking grid
Pencil grid made from repeated and inverted concave units
P10Concave units
Large pencil spiral expanding into broad flowing divisions across a sketchbook page
P11Spiral expansion
Sketchbook page comparing four pencil pattern systems
P12Pattern library

05 · Translation

The drawing enters another medium.

Selected studies are refined through colour, digital illustration, moving image, sound and augmented reality.

ColourDigital imageMovementSoundAR

06 · Encounter

The work returns to the body.

Framing and scale reveal how an image meets its viewer.

Wide view of the working studio with drawings, framed works, easel and lighting equipment
P04The working studio
Thomas Ogun holding the framed radial composition The Void of Souls beside cowries worn at his neck and wrist
P02The Void of Souls beside the cowries worn at the neck and wrist, connecting the work's signs with lived identity.

Installation & process evidence

Additional photographs document the room, lighting, drawing wall, interpretation material and the artist reviewing the installation.

Thomas Ogun installing artwork and process material on an exhibition wall
E01Installing the exhibition wall
Artist adjusting track lighting above a colourful exhibition backdrop
E02Adjusting the lighting
Wide room view showing framed works, a process wall and exhibition backdrop
E03Room view during installation
Artist Thomas Ogun reviewing the completed wall of portrait drawings
E04Artist reviewing the completed drawing wall
Large installation wall presenting a collection of pencil drawings
E05Drawing wall
Framed exhibition works shown with their interpretation labels
E06Interpretation beside framed works
Framed blue pattern work displayed with an interpretation label
E07Framed pattern work
The Void of Souls displayed in a black frame with its interpretation label
E08The Void of Souls on the exhibition wall
Blue and ochre pattern artwork presented in a black frame
E09Pattern work in the exhibition
Thomas Ogun reviewing drawings mounted on the process wall during installation
E10Artist reviewing the process wall
About this archive

These captions explain what can be seen in each image and only use meanings the artist has confirmed. The pattern sketches are shown as experiments unless the artist has linked them to a finished artwork.

Artist Statement

Identity, memory and presence.

Art has always been my way of exploring identity, memory and the unseen narratives that connect people across cultures and generations.

My practice combines illustration, digital technologies and immersive storytelling to create experiences that invite audiences to pause, reflect and reconnect with both personal and collective histories.

With Identity & Spirituality, I wanted to create more than an exhibition of artworks. I wanted to create an environment where visitors could encounter stories that exist beyond the physical canvas. Through Augmented Reality, selected works evolve into living experiences, demonstrating how technology can deepen emotional engagement rather than replace traditional artistic expression.

My hope is that every visitor leaves with a renewed appreciation for the stories they carry, the cultures they inherit and the shared humanity that connects us all.

Thomas Ogun

About the Artist

Thomas Ogun

Interdisciplinary visual artist exploring identity, spirituality and cultural memory through illustration, moving image, sound and augmented reality.

Read About

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AR Demo

AR Demo