OMO by Vorstar

Album Campaign Direction

I led the campaign from the first treatment to the final release. I directed and shot the film while shaping its visual identity, post-production, marketing and rollout across Nigeria, South Africa and international audiences.

Thomas Ogun reviewing a camera setup with the production team
Thomas Ogun reviewing the shot with the camera team.
ProjectMusic Film & Album Campaign
RoleCreative Director, Project Manager & Editor
LocationsLagos & Cape Town
ReleaseBroadcast, Radio, Press, Streaming & Social

Overview

One clear idea, carried from concept to release.

OMO needed more than a music video. The project required a visual identity that could move naturally between Lagos and Cape Town, then remain consistent across broadcast, radio, press, streaming and social media.

I stayed hands-on throughout: developing the treatment, directing and shooting the film, guiding casting and production design, leading the edit and VFX, and helping shape the campaign's promotion and release.

I intentionally chose a filmic visual style that would feel timeless rather than trend-led. Natural texture, considered framing and a restrained colour palette give the work an evergreen quality that can remain relevant for years.

  • Creative and campaign direction
  • Direction and cinematography
  • Treatment, casting and production design
  • Editing, titles and VFX
  • Promotions and marketing
  • Release oversight

The Process

A connected visual process.

The work moved from planning and visual development to production, post and release. Each stage strengthened the same story.

  1. OMO campaign planning board showing story, locations, schedule, moodboard and production checklist
    Campaign architecture: narrative, references, Lagos and Cape Town locations, schedule and production checklist.

    Planning

    Turning the idea into a practical plan.

    A shared production board brought the treatment, references, schedule, equipment, locations and delivery dates together. It kept the Lagos and Cape Town teams aligned from the start.

  2. Nigeria OMO visual moodboard with Lagos street references, performance imagery and colour studies
    Nigeria visual development: street texture, movement, choreography, portraiture and colour.

    Lagos

    A visual language rooted in place.

    The Nigeria production moved between street life and controlled interiors. Through my leadership and creative art direction, these textures connected naturally with Cape Town's open landscapes. Each country kept its own character while contributing to one coherent visual story.

  3. South Africa moodboard references arranged alongside the final studio portrait
    Brainstorming to Production
    Before and after colour-grade comparisons from the campaign film
    Colour Comparison
    Cape Town portrait demonstrating subject and mountain depth composition
    Depth & Composition
    Lagos neighbourhood portrait focused on identity and emotional observation
    Identity & Emotion
    South Africa scene moodboard mapping camera movement, colour temperature, cars, coast and day progression
    South Africa scene map: camera moves, vehicles, coastal geography, colour temperature and day progression.

    Cape Town

    Expanding the world while keeping it connected.

    For Cape Town, I planned vehicle shots, drone movement and transitions around the changing light. Cool morning tones gradually gave way to warmer evening colour, creating a cinematic second chapter that still belonged to the same film.

  4. Vorstar and cast in the outdoor performance sequence Woman smiling in a black convertible during the OMO video
    Production frames: ensemble performance and lifestyle storytelling across the campaign world.

    Production

    Directing performance, place and pace.

    I directed and shot the film across Lagos and Cape Town while also leading production design. Cast movement, styling, cars and landscape were composed to serve both the artist's story and the wider campaign.

  5. Post-Production

    Protecting the idea through the final cut.

    I edited the film and led its titles and VFX, carrying the visual rhythm into the finished piece. The final video became the centre of the broadcast, radio, press, playlist and social campaign.

Campaign Results

A coordinated release across platforms.

The rollout brought the film to broadcast, radio, press, playlists and social channels across Africa and the diaspora.

ShazamTop 10

Moved from the Top 200 into the Top 10.

MTV Base4x

Daily rotation with an additional social feature.

Soundcity4x

Daily video rotation supported by nationwide radio activity.

Production2 cities

Filmed across Lagos and Cape Town.

Built for reach beyond one market.

The campaign connected leading broadcasters and music platforms, including MTV Base, Soundcity, Wazobia, TVC, Silverbird, Africa Magic, NotJustOk, Album Talks and 49th Street. A one-million-view YouTube target anchored the digital strategy, supported by radio, playlist and social activity across Africa and the diaspora.

My Role

End-to-end creative leadership.

My responsibilities covered the campaign's full creative and production journey.

Creative Direction

Treatment, visual language and campaign strategy.

Direction & Camera

Director, cinematographer and handheld camera.

Production Design

Casting, production design and art direction.

Post-Production

Editing, titles and VFX direction.

Campaign Rollout

Promotions, marketing and release coordination.

Project Oversight

Alignment across creative, production and delivery.

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Looking for one clear vision from concept to release?

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